Carlos Pereda Roig. Coplas de la región de Yebala (norte de Marruecos). Presentación, estudio, notas, glosario y bibliografía de Francisco Moscoso García. Barcelona, Bellaterra, 2014, 376 pp.

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Carlos Pereda Roig. Coplas de la región de Yebala (norte de Marruecos). Presentación, estudio, notas, glosario y bibliografía de Francisco Moscoso García. Barcelona, Bellaterra, 2014, 376 pp.

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     AAM      APOSTILLAS A LAS COPLAS DE LA REGIÓN DE YEBALA DE CARLOS PEREDA ROIG               0. Apostilla sobre el género               Formulaicity in Jbala Poetry                               ʕə  y  ṭ  a  o  ṭ  aq  ṭū qa ž  ə bl  ə  yya                                                     ʕə  yy ūʕ                                                              ġə  y ṭ  a                     AAM       u  ġ n ə  yya                                       ʕə  y ṭ  a                                                                         ʕə  y ṭ  a    u  ġ  n ə  yya                     ʕə  yy ūʕ                                      ʕə  y ṭ  a      ʕə  yy ūʕ                       ʕə  y ṭ  a   ʕə  yy ūʕ      u  ġ  n ə  yya                                                                                                                                                  ʕə  yy ūʕ     ʕə  y ṭ  a  ṭə q ṭū qa ž  ə bl  ə  yya                 ʕə  y ṭ  a                    COPLAS DE LA REGIÓN DE YEBALA        AAM                                                                                                                                                    1. Carlos Pereda Roig:“  Al-Âaiôo wal Âaita , una estampa inédita del folklore marroquí”                                                                          ŷŷ                                                                                                                                                                                                                                              AAM                                                                                                                                                                                                                         Ana bladi Ahl Serif, bain a  ŷŷ bal matlúfa; w ila ajfat âalicum, bal fra  ŷ a mâarufa.                         Dac adhar al âali, al mnachba baddalia; labnat daru al hinna, w askauha bal galia.                        Dac assurba dal jáil,                                  COPLAS DE LA REGIÓN DE YEBALA        AAM      al jar   ŷ a min al jándak; al hhubb yafni mulah, w ila tal ihhámmak.                       Dac al mhha  ŷŷ  das-Súltan, ial madkuk bal hháfer; w ana mâac bannía, w anta kalbac cáfer.                         Ia urikat arráihhan, ia urikat arráihhan; hhin drani w anrac, iabka kalbi farhhan.                      Hhabb al mluc attaib, al ma  ŷ ni biuráku; hhabibi, qhhal el âaiún, ma nasja chi biafráku.                         ¡Ia muimat sahu!, ¡Ia muimat sahu!;  saksini w nkulac, admuîi âala min tahhu.                          Al uarda, ¡ial uarda!, tahh echtá ua jammárta; al blad bla hhabibi, ahhleft la âammarta.                   
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